Hitler by Joachim C. Fest

Author:Joachim C. Fest
Language: eng
Format: mobi, epub
Publisher: Houghton Mifflin Harcourt
Published: 2013-11-06T21:38:46+00:00

Reject what confuses you

Outlaw what seduces you,

What did not spring from a pure will,

Into the flames with what threatens you!

Even Theodor W. Adorno noticed in the composition of a poetry cycle by Baldur von Schirach “the strongest conceivable effects” of the “romantic realism” proclaimed by Goebbels.

Meanwhile, in the early weeks of the regime, 250 notable writers and professors left the country. Many others were harassed, relieved of their posts, or otherwise made aware of their vulnerability. Soon the spokesmen for a regime with cultural ambitions had to acknowledge that the first “summer of art” in Germany looked more like a battlefield than a field of ripening grain. The Minister of the Interior announced the expatriation of writers and scholars, one after another, among them Lion Feuchtwanger, Alfred Kerr, Heinrich and Thomas Mann, Theodor Plievier, Anna Seghers, and Albert Einstein. But those who remained were not averse to taking the evacuated seats in the academies and at banquets, insensitive to the tragedies of the expelled and the outlawed.

Those who were asked placed themselves at the regime’s disposal: the composer Richard Strauss, the conductor Wilhelm Furtwängler, the actors Werner Krauss and Gustaf Gründgens. Such actions surely cannot always be ascribed to weakness or opportunism. A great many were sucked in by the emotional surge of the national rising, wanting to take their place in the ranks and “co-ordinate” themselves. Others felt it their mission to strengthen the affirmative forces within the “great idealistic popular movement” called National Socialism. They meant to take those honest but primitive Nazi ruffians under their wings, to sublimate those unthinking energies, to refine the “well-meant but still clumsy ideas of Adolf Hitler, the ‘man of the people,’ ” and in this way “show the National Socialists what really is contained within their dim strivings and thus make possible a ‘better’ National Socialism.”21 This was the hope, so frequently found in revolutionary eras, of averting something worse—oddly coupled with the notion that under the banner of the new fraternity idealism could be introduced into “dirty politics.” Cowardice and conformism were certainly present and widespread; but in such intellectual illusions can be found the specifically German continuity within Nazism.

But we would still have only a partial understanding of the phenomenon if we failed to consider the dominant feeling of the age. The eternally unsettled question of how the blatantly anti-intellectual Hitler movement could have enjoyed such success among writers, professors, and intellectuals in general may to some extent be answered in terms of the antiintellectual tendency of the age. Even Max Scheler, the philosopher, gave a certain sanction to the irrationalist movements of the period—although he indicated that he did not subscribe to the modish denigration of the intellect. In a lecture toward the end of the twenties he spoke of a “systematic instinctual revolt in men of the new epoch... against the exaggerated intellectuality of our fathers” and called it a “healing process.” The victory of the Hitler movement was widely seen as the political form of this healing process.

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